|
|
2008
| 2007 |
2006 | 2005 |
2004 | 2003
| 2002 |
Unexpected
Encounter.
October - November 2002
Curated
by Gail Bourgeois, Unexpected Encounter is an exhibition which features
six core artists: Micheline Durocher (inkjet prints), Christina
Horeau (drawings and wall sculpture), Cyndra MacDowall (photographs),
Marie-Christine Simard (photographs), and a work by artist\curator
Gail Bourgeois. The exhibition presents art making as a dynamical
motion. Bourgeouis's intent is to "foreground the creative
process as it calms the jammed space (brouillage) of a disrupted
relationship to the world, and to forward the dynamical impulse
generated from disequilibrium. The diversity of voices in this project
presents a shape of wholeness and gives value to a nesting instinct
that displaces melancholia and nostalgia." To do this, for
every city this exhibition travels to it picks up a local artist.
In Saskatoon, that artist was Monika Napier (sculpture/installation).
Women's
Art Resource Centre, Toronto (June - July 2002)
Ace Art, Winnipeg (September - October 2002)
AKA, Saskatoon (October - November 2002)
Richmond Art Gallery, Vancouver (mid-January 2003) |
| |
|
| Glimpses
and Glitches.
September - October 2002
Emerging Saskatoon artists from University of Saskatchewan. Linda
Duvallís Summer Session class shows at AKA. Video works by
Loretta Getuiza, Brody Doyle, Simon Bird, Robert Nesdole, Yasuyo
Itoh, Andrie Fehereghazi, Brad Milne, Jake Gossen, Danielle Newman,
Becky May, Cali Boyle, Donna Shokeir, Jon Busch, Kari McRea, Sarah
Joy E. Kallos, Cali Boyle, Janet Jones, Crystal Russell, Isabel
da Silva and Ray Lodoen. |
| |
|

John Boehme, Mein Fore

John
Boehme, Dink Out
|
Performance Anxiety 4
Paradigms of Leisure: John Boehme.
May - June 2002
Boehme's work, as presented at AKA Gallery, consisted of two interdisciplinary
performances -- Mien Fore, and On Leisure -- with sculptural installation
as archive. Boehme also performed an offsite project, Dink Out.
From teeing golf balls off at aluminum-sheathed gallery walls,
to preparing the gallery floor with surf wax, to manicuring astroturf
with a weedwhacker, Boehme attempted, through his actions, to get
to the heart of contemporary western society's cult of recreation.
Through materiality and sculptural archive his artwork also referenced
and questioned Post-painterly abstraction, actionism and fluxus
art practice. |
| |
|
Pippa Cherniavsky, Installation view
Daniel Erban, Installation view
Roland Daum, Installation view
|
Drawing
Flesh: Roland Daum, Pippa Cherniavsky, Daniel Erban.
April - May 2002
Drawing Flesh was an exhibition of three artists from across Canada
who all use the human form as a starting point for their drawings.
The works in this show were truly graphic; these artists know how
to exploit their media to elicit an emotional response in the viewer.
Spare on colour but big on style, Drawing Flesh was very evocative
work. |
| |
|
|
Jeoffery Thomas, Where Are you From?
|
Mediating
Violence: Judy Anderson, Gabriela Rosende, Cohen Floch, Jeffrey
Thomas, Rebecca Belmore and Allen Clarke.
Curated by Ruth Cuthand (Tribe) and Cindy Baker (AKA Gallery)
December 2001
Starting
in fall 2001 and continuing throughout 2003, Tribe and AKA present
an exhibition of works in Saskatoon's bus shelters and street ads.
Curated by Ruth Cuthand from Tribe and Cindy Baker from AKA, in
the interest of addressing an audience which perceives advertising
as an easily digestible form of communication, the theme of the
exhibition surrounds violence and itsí affects in our communities.
The project approaches the notion of ìThe Mediaî as
a venue of cultural change, not simply a reflection of it. |
| |
|
Colleen Cutshall, Installation view
Colleen Cutshall, Installation view
|
Stargate:
Colleen Cutschall. A Tribe presentation.
February - March 2002
Tribe presented this work by Brandon-based First Nations artist
Colleen Cutschall. As a function of our partnership with Tribe,
AKA again opened our gallery for its autonomous use by Tribe. |
| |
|
| (E)merge.
January - February 2002
In January and February 2002, AKA, The Photographer's Gallery and
Video Verite's programming converged to put emerging artists and
curators in the spotlight. AKA presented New Geographers, the culmination
of an emerging curators project, while TPG and Video Verite presented
Equilateral, a curatorial initiative featuring emerging Saskatoon
artists. As a component of the project, Equilateral and New Geographers
traveled to artist-run centres in Edmonton; early in 2002, Harcourt
House Arts Centre and Latitude 53 Society of Artists programmed
Equilateral and New Geographers, respectively, following their runs
in Saskatoon. This provided Edmonton audiences with a similar perspective
on emerging art in- and outside of their community, and offered
a greater exposure to new communities for the artists and curators
involved. |
| |
|
New
Geographers.
January - February 2002
This
exhibition was the culmination of a project initiated by AKA in
the winter of 2001. AKA received a Young Canada Works employment
grant in the winter of 2001 to employ an emerging artist or emerging
curator from another part of Canada who would organize an exhibition
of emerging artists from their own region. New Geographers was the
culmination of this incredibly successful project. Emerging curator
Isabela Varela from Edmonton organized this exhibition of six Edmonton
area artists. With a well-developed curatorial thesis, this exhibition
transcended regional boundaries. New Geographers explored popular
assumptions and myths about the places we inhabit, be they urban,
rural, suburban or less defined hybrid spaces. It was an exhibition
about place as concept and lived experience, and as such is an appropriate
show to bring together two different emerging art communities. Participating
artists included Tanya Camp, Kristina Kudryk, Jonathan Eschak, Jackie
Barrett, Tandie McLeod, and Savi Pannu, all from Edmonton |
| |
|
|
Opening:
David Lawson and Claire Greenshaw.
January - February 2002
AKA presented David Lawson and Claire Greenshaw's Opening, an exhibition
examining presence and absence of the out-of-town artist in exhibition
context, and the role of the reception. New Geographers ran
in the main gallery space. It was a show curated by Edmonton artist/curator
Isabela Varela with six artists from that region. |
| |
|

Robyn Moody, Public Opinion
|
Performance
Anxiety 3
Public Opinion: Robyn Moody.
February 2002
Donning his own pirate radio station, Moody went out into the streets
of downtown Saskatoon to uncover the opinions of the everyman, hoping
to prove his theory that the notion of a "public opinion"
is deeply flawed. The value placed in an oft-misguided public opinion
has led to wasteful political decisions. With this project, Moodyís
aim was to draw a parallel between the questions which elicit a strong
response and those which elicit none, and proved to be an intelligent
and concise critique of Canada's current political and cultural situation. |
| |
|